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A spacious museum gallery with marble columns, golden balloon sculptures, classical statues, colorful artworks, and visitors exploring the space. It is a view of the 58th Carnegie International exhibition at the Carnegie Museum of Art, Pittsburgh. Mezzanine, from left: Mohammed Sami, The Fountain I, 2021; Thu Van Tran, Colors of Grey, 2022. Floor: Banu Cennetoğlu, right?, 2022. Photo: Sean Eaton.
On art museums and the rhetoric of relevance
A white hand is raised with the index finger pointing upward against a black background. From a still of Jean-Luc Godard's film Le livre d’image (The Image Book) depicting a detail of Leonardo da Vinci's Saint John the Baptist.
On Gustave Caillebotte and Jean-Luc Godard
Gustave Caillebotte, Rue de Paris, Temps de pluie (Paris Street, Rainy Day), 1877, oil on canvas. People walk along a wet cobblestone street holding umbrellas, with horse-drawn carts and buildings in the background under an overcast sky.
On Gustave Caillebotte at the Musée d’Orsay, Paris
A hand-drawn Venn diagram labeled "Pronouns in American Sign Language" features overlapping circles with the phrase "Blame Game" in the middle, "Plural Point" in the sections where only to circles overlap, and "Point" in the non-overlapping sections.
On the art of Christine Sun Kim
AI-generated image of a melting banana against a white backdrop, date unknown. Photo: Freepix.
On Generative AI’s Structure of Feeling
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