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View of “Artist’s Choice: Grace Wales Bonner—Spirit Movers,” 2023–24
FASHION
MOVEMENT STUDIES
Impressions of Grace Wales Bonner at MoMA
Giovanni Bellini, Saint Francis in the Desert
VAULT
RELATIONAL AESTHETICS
Bellini and Giorgione at Frick Madison
Ho Tzu Nyen, The Nameless
ON SITE
TIME AND AGAIN
Ho Tzu Nyen’s subversive narratives
US military personnel witness the nuclear test, code-named “Dog,” as part of Operation Greenhouse on Parry Island, Enewetak Atoll, Marshall Islands, April 7, 1951.
TOP TEN
YUAN GOANG-MING
Yuan Goang-Ming shares his Top Ten
Mark Rothko
Features
THE EXPANSE
The decisive role of Mark Rothko’s early watercolors
View of the Rothko Room, Phillips Collection, Washington, DC, 2006.
Features
THE EXPANSE
A reflection on the art of Mark Rothko
View of “Bonnard/Rothko: Color and Light,” 1997, PaceWildenstein, New York.
Features
THE EXPANSE
A reflection on the art of Mark Rothko
Paul Durand-Ruel’s Grand Salon, 35, Rue de Rome, Paris, ca. 1900–10.
Features
FLESH AND FLUFF
Impressionism’s contested legacy
Joe Brainard’s book jacket for The Avant-Garde Art News Annual XXXIV
Features
VULGAR MINIMALISM
Bill Griffith’s Three Rocks and the cult of Nancy
Pier Paolo Pasolini, Mamma Roma, 1962, 35 mm, black-and-white, sound, 106 minutes.
Features
LUXURY AND DEGRADATION
Pier Paolo Pasolini’s Mamma Roma (1962) and the tradition of the musca depicta
Jamian Juliano-Villani
Features
JAMIAN JULIANO-VILLANI
The painter talks about her current show at Gagosian
April 2024
Jamian Juliano-Villani, Crunchie Boy, My Son (detail), 2019, acrylic on canvas, 72 × 96".
April 2024
VOL. 62, NO. 8
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