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Louise Lawler
Louise Lawler’s doubling and the search for an archetype
Cheyenne ledger drawing attributed to Tsistsistas ("Old White Woman"), ca. 1880
“Drawing the Line: Michelangelo to Asawa”
View of “Paraventi: Folding Screens from the 17th to the 21st Centuries,” 2023–24, Fondazione Prada, Milan. Foreground: Cy Twombly, Paravent, 1989. Photo: Delfino Sisto Legnani and Alessandro Saletta (DSL Studio).
Chris Bogia shares his Top Ten
Ellen Gallagher, Ecstatic Draught of Fishes
The art of Ellen Gallagher
Gilles Aillaud
The art of Gilles Aillaud
Marjorie Welish, Meander Collab 3,  2021, diptych, acrylic on panel, 20 × 32 ¼". From the series “Indecidability of the Sign: Yellow/Black,” 2019–.
Michelle Grabner introduces a portfolio by Marjorie Welish
View of the 58th Carnegie International, 2022–23, Carnegie Museum of Art, Pittsburgh. From left: Andy Robert, Cargo (1), 2022; Andy Robert, Cargo (2), 2022; Andy Robert, Cargo (3), 2022.
The painter turns to assemblage at Artists Space
February 2024
Ellen Gallagher, Fast-Fish and Loose-Fish (detail), 2023, oil, pigment, palladium, and paper on canvas, 116 1⁄2 × 79 1⁄2".
February 2024
VOL. 62, NO. 6
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