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Aria Dean, Abattoir, U.S.A.!, 2023, HD video, color, sound, 10 minutes 50 seconds. Installation view, Renaissance Society, Chicago. Photo: Robert Chase Heishman.
Video
THE COW QUESTION
Erika Balsom on Aria Dean’s Abattoir, U.S.A.!
View of “Tarek Atoui: Waters’ Witness,” 2022–23, MUDAM Luxembourg. Photo: Eike Walkenhorst.
SOUND
HIGHER FREQUENCIES
Evan Moffitt on Tarek Atoui
CAMP, Bombay Tilts Down, 2022, seven-channel digital video, color, sound, 13 minutes 14 seconds. Installation view, Aspinwall House, Kochi, India.
On Site
WEATHER PERMITTING
Skye Arundhati Thomas on the Kochi-Muziris Biennale
Lorraine Hansberry, The Sign in Sidney Brustein’s Window, 1964, in a production directed by Anne Kauffman, 2023. Rehearsal view, Brooklyn Academy of Music, New York, February 3, 2023. Iris Parodus Brustein (Rachel Brosnahan) and Sidney Brustein (Oscar Isaac). Photo: Julieta Cervantes.
Performance
VILLAGE VANGUARD
Moze Halperin on The Sign in Sidney Brustein’s Window
Solar eclipse, Spray, OR, August 21, 2017. Photo: Zack Dougherty.
Top Ten
RICK SILVA
Rick Silva shares his top ten
View of “Wolfgang Tillmans: truth study center,” 2005, Maureen Paley, London.
Features
INFORMATION OVERLOAD
Claire Bishop on the superabundance of research-based art
Sung Tieu, Moving Target Shadow Detection, 2022, HD video, color, sound, 18 minutes 56 seconds.
Features
ALTERNATIVE INVESTMENTS
Catherine Quan Damman on Sung Tieu and the art of derivative critique
Josh Kline, Creative Hands, 2011, pigmented castsilicone, commercial shelving, LEDs, 36 1⁄2 × 26 3⁄8 × 15 1⁄2".
Features
CULTURES
Colby Chamberlain on the art of Josh Kline
Manuel Borja-Villel, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2021.
Features
REQUIRED VIEWING
Yve-Alain Bois on Manuel Borja-Villel’s tenure at the Reina Sofía
Scott Covert, Betty & Joan #2, ca. 2019, oil wax pastel and ink on paper, 18 × 231⁄2". From the series “Lifetime Drawings,” 1985–.
Features
TO DIE FOR
Alex Jovanovich on the art of Scott Covert
View of “Josh Kline: Antibodies,” 2020, Astrup Fearnley Museet, Oslo. From left: Productivity Gains (Brandon/Accountant), 2016; MAO Inhibitors Can’t Fix This (Elizabeth/Administrative Assistant), 2016. Photo: Christian Øen.
View of “Josh Kline: Antibodies,” 2020, Astrup Fearnley Museet, Oslo. From left: Productivity Gains (Brandon/Accountant), 2016; MAO Inhibitors Can’t Fix This (Elizabeth/Administrative Assistant), 2016. Photo: Christian Øen.
April 2023
VOL. 61, NO. 8
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