Alerts & Newsletters

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

Aria Dean, Abattoir, U.S.A.!, 2023, HD video, color, sound, 10 minutes 50 seconds. Installation view, Renaissance Society, Chicago. Photo: Robert Chase Heishman.
Erika Balsom on Aria Dean’s Abattoir, U.S.A.!
View of “Tarek Atoui: Waters’ Witness,” 2022–23, MUDAM Luxembourg. Photo: Eike Walkenhorst.
Evan Moffitt on Tarek Atoui
CAMP, Bombay Tilts Down, 2022, seven-channel digital video, color, sound, 13 minutes 14 seconds. Installation view, Aspinwall House, Kochi, India.
Skye Arundhati Thomas on the Kochi-Muziris Biennale
Lorraine Hansberry, The Sign in Sidney Brustein’s Window, 1964, in a production directed by Anne Kauffman, 2023. Rehearsal view, Brooklyn Academy of Music, New York, February 3, 2023. Iris Parodus Brustein (Rachel Brosnahan) and Sidney Brustein (Oscar Isaac). Photo: Julieta Cervantes.
Moze Halperin on The Sign in Sidney Brustein’s Window
Solar eclipse, Spray, OR, August 21, 2017. Photo: Zack Dougherty.
Rick Silva shares his top ten
View of “Wolfgang Tillmans: truth study center,” 2005, Maureen Paley, London.
Claire Bishop on the superabundance of research-based art
Sung Tieu, Moving Target Shadow Detection, 2022, HD video, color, sound, 18 minutes 56 seconds.
Catherine Quan Damman on Sung Tieu and the art of derivative critique
Josh Kline, Creative Hands, 2011, pigmented castsilicone, commercial shelving, LEDs, 36 1⁄2 × 26 3⁄8 × 15 1⁄2".
Colby Chamberlain on the art of Josh Kline
Manuel Borja-Villel, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2021.
Yve-Alain Bois on Manuel Borja-Villel’s tenure at the Reina Sofía
Scott Covert, Betty & Joan #2, ca. 2019, oil wax pastel and ink on paper, 18 × 231⁄2". From the series “Lifetime Drawings,” 1985–.
Alex Jovanovich on the art of Scott Covert
View of “Josh Kline: Antibodies,” 2020, Astrup Fearnley Museet, Oslo. From left: Productivity Gains (Brandon/Accountant), 2016; MAO Inhibitors Can’t Fix This (Elizabeth/Administrative Assistant), 2016. Photo: Christian Øen.
View of “Josh Kline: Antibodies,” 2020, Astrup Fearnley Museet, Oslo. From left: Productivity Gains (Brandon/Accountant), 2016; MAO Inhibitors Can’t Fix This (Elizabeth/Administrative Assistant), 2016. Photo: Christian Øen.
April 2023
VOL. 61, NO. 8
Artforum Inbox
Register to receive our full menu of newsletters—From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU—as well as special offers from Artforum.

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

PMC Logo
Artforum is a part of Penske Media Corporation. © 2025 Artforum Media, LLC. All Rights Reserved.