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Jean-Luc Godard, Paris, October 15, 1998. Photo: Richard Dumas/Agence VU/Redux.
Passages
JEAN-LUC GODARD (1930–2022)
James Quandt on Jean-Luc Godard
Jean-Luc Godard, JLG/JLG - autoportrait de décembre (JLG/JLG - Self-Portrait in December), 1994, 35 mm, color, sound, 62 minutes. Jean-Luc Godard.
Passages
JEAN-LUC GODARD (1930–2022)
Yvonne Rainer on Jean-Luc Godard
Jean-Luc Godard, 2 ou 3 choses que je sais d’elle (2 or 3 Things I Know About Her), 1967, 35 mm, color, sound, 87 minutes. Juliette Janson (Marina Vlady).
Passages
JEAN-LUC GODARD (1930–2022)
Amy Taubin on Jean-Luc Godard
Silke Otto-Knapp, Mendocino, CA, January 2021. Photo: Sharon Lockhart.
Passages
SILKE OTTO-KNAPP (1970–2022)
Sharon Lockhart on Silke Otto-Knapp
John Haberle, Imitation, 1887, oil on canvas, 10 × 14".
Slant
A COUNTERFEIT ILLUSION
David Joselit on “Cubism and the Trompe l’Oeil Tradition”
Architecture
Architecture
HOUSES OF THE HOLY
Kate Sutton on Jože Plečnik
Still from @coolranchdoritowhore’s September 29, 2022, TikTok video.
Top Ten
PARIS STARN
Paris Starn’s Top Ten
Claes Oldenburg in his studio, New York, 1961. Photo: Robert R. McElroy. © Robert R. McElroy.
Features
CLAES OLDENBURG (1929–2022)
Achim Hochdörfer, Charles Ray, Rachel Harrison, and Paula Cooper pay tribute to the artist
Claes Oldenburg & Coosje van Bruggen, Shuttlecock on a High Wire, in the Rotunda of the Guggenheim Museum, 1995, pencil and pastel on paper, 29 × 231⁄8". From the series “Shuttlecocks,” ca. 1995–2002. © Claes Oldenburg and Coosje van Bruggen.
Features
CLAES OLDENBURG (1929–2022)
Achim Hochdörfer on Claes Oldenburg
Claes Oldenburg’s 1962 Assorted Food on a Stove at the 32nd Venice Biennale, June 1964. Photo: Sergio del Grande/Mondadori Portfolio/Bridgeman Images.
Features
CLAES OLDENBURG (1929–2022)
Paula Cooper on Claes Oldenburg
Claes Oldenburg, New Jersey, ca. 1960s. Photo: Ken Heyman.
Features
CLAES OLDENBURG (1929–2022)
Rachel Harrison on Claes Oldenburg
Claes Oldenburg, Giant Soft Fan, 1966–67, vinyl, foam rubber, wood, metal, plastic tubing; fan: approx. 10' 1⁄8" × 4' 10 1⁄2" × 5' 1 7⁄8". © Claes Oldenburg.
Features
CLAES OLDENBURG (1929–2022)
Charles Ray on Claes Oldenburg
Tania Candiani, Cascos protectores (Protective Helmets) (detail), 2003, ink-jet prints, each 24 × 20". From the series “Protección familiar” (Family Protection), 2003–2007. Photo: Julio Orozco.
Features
STITCHING THE BATTLEGROUNDS
Michael Dango on the art of Tania Candiani
Sanya Kantarovsky, Mandible, 2020, watercolor on paper, 14 3⁄4 × 11 1⁄4".
Features
PREDICAMENTS
Barry Schwabsky on the art of Sanya Kantarovsky
View of “Getting Chippy With It,” 2021, O’Flaherty’s, New York. Photo: Marisa Sottos.
Features
THE GIMMICK’S SHADOW
Domenick Ammirati on artist-run galleries
D Harding, Extractive painting 2, 2021, gum arabic and dry pigment on linen, pigment on unprocessed photographic paper extracted from linen canvas. Installation view, Monash University Museum of Art, Melbourne. Photo: Andrew Curtis.
Features
OPENINGS: D HARDING
Tara McDowell on the art of D Harding
Jan Davidsz. de Heem, Fruits et riche vaisselle sur une table (Un dessert) (A Table of Desserts), 1640, oil on canvas, 58 5⁄8 × 78 7⁄8".
Paris
“Les Choses”
Molly Warnock on “Les Choses”
Musée du Louvre
Tania Candiani, Cierre Libertad (Securing Libertad), 2008, mixed-media, found materials, United States/Mexico border fence. Installation view, Tijuana, Mexico. From the series “Reinterpretación del paisaje” (Reinterpretation of the Landscape), 2008.
Tania Candiani, Cierre Libertad (Securing Libertad), 2008, mixed-media, found materials, United States/Mexico border fence. Installation view, Tijuana, Mexico. From the series “Reinterpretación del paisaje” (Reinterpretation of the Landscape), 2008.
January 2023
VOL. 61, NO. 5
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