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View of “Arthur Jafa: Live Evil,” 2022, La Grande Halle, Luma Foundation, Arles, France. From left: Foxy Lady Latour, 2022; Untitled, 2022; Albert Ayler, 2022. Photo: Andrea Rossetti.
On Site
Affective Proximity
Olamiju Fajemisin on Arthur Jafa
Toyo Miyatake, Row of Barracks, ca. 1942–45, gelatin silver print, 8 × 9 7⁄8".
On Site
History Sickness
Jacob Hashimoto on “No Monument: In the Wake of the Japanese American Incarceration”
Pak, Cloud Monument Dark (detail), 2020, NFT, digital image.
Interviews
Hack the Planet
Hans Ulrich Obrist talks with Pak
Zoe Zenghelis (Office for Metropolitan Architecture), The Egg of Columbus Centre, 1973, acrylic on card, 17 3⁄8 × 20 7⁄8".
Architecture
Paradise City
Samuel Medina on Zoe Zenghelis
Jimmy ScreamerClauz, When Black Birds Fly, 2015, digital video, color and black-and-white, sound, 124 minutes.
Top Ten
ETHEL CAIN
Ethel Cain shares her top ten
Edgar Arceneaux, Skinning the Mirror #5 (detail), 2021, silver nitrate, acrylic paint, and glass on canvas, 48 3⁄4 × 37 1⁄2".
Features
STRANGE WEBS
Elizabeth Schambelan on criticism
Donald Judd assembling his work at Leo Castelli Gallery, New York, 1966. Photo: Bob Adelman. © Bob Adelman Estate.
Features
THE ART WE LOVE
Rosalind E. Krauss, Ralph Lemon, and Tuan Andrew Nguyen
Alfred Hitchcock, Vertigo, 1958, 35 mm, color, sound, 128 minutes. John “Scottie” Ferguson (James Stewart).
Features
THE ART WE LOVE
Amy Taubin, David Rimanelli, and Precious Okoyomon
Jean Vigo, Zéro de conduite (Zero for Conduct), 1933, 35 mm, black-and-white, sound, 44 minutes.
Features
THE ART WE LOVE
Rachel Kushner, Wolfgang Tillmans, Yvonne Rainer, and Emmelyn Butterfield-Rosen
Jorge Luis Borges, June 1980. Photo: Paola Agosti/Opale/Bridgeman Images.
Features
THE ART WE LOVE
Adrian Piper, Joan Jonas, Anicka Yi, and Martine Gutierrez
Lucinda Childs, Dance, 1979. Performance view, Theatre de la Ville, Paris, October 16, 2014. Music: Philip Glass. Set design: Sol LeWitt. Photo: Stephane de Sakutin/AFP via Getty Images.
Features
THE ART WE LOVE
Ryan Ponder McNamara, Gary Indiana, and Sarah Nicole Prickett
Albert Speer, Zeppelin Field grandstand, 1937, Nuremberg, Germany. Photo: SZ Photo/Bridgeman Images.
Features
Antinomies
Hal Foster on Eva Hesse and Tony Smith
View of “Atis Rezistans (Resistance Artists): Ghetto Biennale,” 2022, St. Kunigundis Church, Kassel. From Documenta 15. Photo: Frank Sperling.
Features
HISTORY IN PIECES
David Joselit on Documenta 15 and the 59th Venice Biennale
Guillaume Dustan, Squat, 2002, video, color, sound, 62 minutes 46 seconds. © G.D. and its estate.
Features
DU MUSST DEIN LEBEN ÄNDERN (DUSTAN DEVIATION)
Bruce Hainley and Wayne Koestenbaum discuss the film work of Guillaume Dustan
Barbara Kruger, Your body is a battleground, 1990, billboard. Installation view, Columbus, OH.
Features
BATTLEGROUNDS
Johanna Fateman on the art of Barbara Kruger
View of “A Site of Struggle: American Art Against Anti-Black Violence,” 2022, Block Museum of Art, Northwestern University, Evanston, IL. From left: Alison Saar, Strange Fruit, 1995; Pat Ward Williams, Accused/Blowtorch/Padlock, 1986. Photo: Clare Britt.
Features
CRITICAL CARE
Huey Copeland Talks with Janet Dees about “A Site of Struggle”
August Sander, Jungbauern (Young Farmers), 1914, gelatin silver print, 9 1⁄4 × 6 3⁄4". © Die Photographische Sammlung/SK Stiftung Kultur–August Sander Archiv, Cologne/ARS, NY.
Features
SAVING FACE
Graham Bader on portraiture in the age of artificial intelligence
Gudskul banner, Fridericianum, Kassel, June 11, 2022. Photo: Nicolas Wefers.
Kassel
Documenta 15
Harry Burke on Documenta 15
Documenta
Documenta 15
Abhijan Toto and Pujita Guha for the Forest Curriculum on Documenta 15
Documenta
Arthur Jafa, AGHDRA, 2021, 8K video, color and black-and-white, sound, 75 minutes.
Arthur Jafa, AGHDRA, 2021, 8K video, color and black-and-white, sound, 75 minutes.
September 2022
VOL. 61, NO. 1
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