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R. H. Quaytman, iamb, Chapter 12 (Dan Graham), 2008, silk screen and gesso on wood, 20 × 32 3⁄8".
Passages
Dan Graham (1942–2022)
R. H. Quaytman on Dan Graham
Ramon and Silvan Zürcher, The Girl and the Spider, 2021, 2K video, color, sound, 98 minutes. Lisa (Liliane Amuat) and Mara (Henriette Confurius).
Film
RESIDENT EVIL
James Quandt on Ramon and Silvan Zürcher’s The Girl and the Spider
Participants in the Virginia Commonwealth University School of the Arts Fellows’ fall retreat Art Wilds outside the main house at Mildred’s Lane, Beach Lake, PA, 2009. Photo: Hope Ginsburg.
On Site
GOOD HOUSEKEEPING
Ian Bourland on Mildred’s Lane
Artefacts from S. Raoul’s final dig, 2013. From Shubigi Rao’s History’s Malcontents: The Life and Times of S. Raoul (Institute of Contemporary Arts Singapore, 2013).
On Site
PULP FICTION
Kate Sutton on Shubigi Rao and her work at the 59th Venice Biennale
View of Peggy Guggenheim’s collection, Greek pavilion, Venice, 1948. From the 24th Venice Biennale. Photo: Studio Ferruzzi.
VENICE BIENNALE
WHAT DREAMS MAY COME
Cecilia Alemani talks with David Velasco about the 59th Venice Biennale
Lynn Hershman Leeson, Logic Paralyzes the Heart, 2022, 4K video, 13 minutes 53 seconds. Joan Chen (Cyborg 1) dressed by Nina Hollein.
VENICE BIENNALE
LYNN HERSHMAN LEESON
Lynn Hershman Leeson on her work for the Venice Biennale
View of “Latifa Echakhch: The Concert,” 2022, Swiss pavilion, Venice. Photo: Annik Wetter.
VENICE BIENNALE
LATIFA ECHAKHCH
Latifa Echakhch discusses her Venice project
Stan Douglas, London, 2011–08–09 (Pembury Estate), 2017, C-print on dibond, 59 × 118 1⁄8".
VENICE BIENNALE
STAN DOUGLAS
Stan Douglas on his project for the Canadian Pavilion
April 2022
Top Ten
LEA BERTUCCI
Lea Bertucci shares her top ten
Basel Abbas and Ruanne Abou-Rahme, Collapse, 2009, digital video, black-and-white, sound, 8 minutes 20 seconds.
Features
POTENTIAL ENERGY
Tausif Noor on the art of Basel Abbas and Ruanne Abou-Rahme
Titian, Diana and Callisto, 1556–59, oil on canvas, 73 5⁄8 × 80 1⁄2".
Features
MEN ARE DOGS
Emmelyn Butterfield-Rosen on Titian’s Poesie for Philip II
Kaari Upson, Portrait (Vain German), 2020–21, urethane, resin, Aqua-Resin, pigment, fiberglass, aluminum, 29 1⁄4 × 23 1⁄4 × 2 7⁄8". From the series “Portrait (Vain German),” 2020–21. © The Kaari Upson Trust.
Features
CLOSE-UP: FAMILY RESEMBLANCE
Michael Ned Holte on Kaari Upson’s “Portrait (Vain German),” 2020–21
Cameron Martin, Deluge, 2021, triptych, acrylic on canvas, each panel 66 × 53".
Features
CLOSE-UP: WITHIN LIMITS
Suzanne Hudson on Cameron Martin’s new paintings
Nikita Kadan, work from the series “The Shadow on the Ground,” 2022, charcoal on paper, 11 3⁄4 × 15".
Features
PROJECT: NIKITA KADAN
David Velasco introduces a project by Nikita Kadan
Nan Goldin, Red sky from my window, 2000, ink-jet print, 31 3⁄4 × 46 7⁄8".
Features
EXCERPT: THE TRUTH ABOUT THE END OF THE WORLD
Cookie Mueller’s “The Truth About the End of the World”
Titian, The Rape of Europa (detail), 1559–62, oil on canvas, 70 1⁄8 × 80 3⁄4".
Titian, The Rape of Europa (detail), 1559–62, oil on canvas, 70 1⁄8 × 80 3⁄4".
April 2022
VOL. 60, NO. 8
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