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Etel Adnan, Turkey, ca. 1973–74. Photo: Simone Fattal.
Passages
ETEL ADNAN (1925–2021)
Kaelen Wilson-Goldie on Etel Adnan
Céline Sciamma, Petite maman, 2021, 4K video, color, sound, 72 minutes. Nelly (Joséphine Sanz) and Marion (Gabrielle Sanz).
Film
HOW I MET MY MOTHER
Zack Hatfield on Céline Sciamma’s Petite maman
Tracey Emin, Why I Never Became a Dancer, 1995, Super 8 transferred to video, color, sound, 6 minutes 40 seconds.
Video
TEENAGE WASTE LAND
Audrey Wollen on Tracey Emin’s Why I Never Became A Dancer
Inventing Anna, 2022, production still from a TV show on Netflix. Episode 2, “The Devil Wore Anna.” Anna Delvey (Julia Garner). Photo: Aaron Epstein.
TELEVISION
FALSE PROFIT
Chloe Wyma on Shonda Rhimes’s Inventing Anna
noma, Copenhagen, Fall 2020. Photo: Ditte Isager.
food
LUNCH POEMS
Bruce Hainley and Christine Pichini at noma
Tarsem Singh, The Cell, 2000, 35 mm, color, sound, 107 minutes. Carl Stargher (Vincent D’Onofrio).
Top Ten
LIAM BENZVI
Liam Benzvi shares his Top Ten
Sylvère Lotringer, Los Angeles, April 2016. Photo: Mark Seliger.
Features
SYLVÈRE LOTRINGER (1938–2021)
Tim Griffin, Hedi El Kholti and Chris Kraus, and John Kelsey on Sylvère Lotringer
Diego Cortez and Jimmy DeSana, advertisement for Semiotext(e)’s “Schizo-Culture” issue.
Features
TIM GRIFFIN
Tim Griffin on Sylvère Lotringer
Sylvère Lotringer, ca. 1990.
Features
HEDI EL KHOLTI AND CHRIS KRAUS
Hedi El Kholti and Chris Kraus on Sylvère Lotringer
Cover of Sylvère Lotringer’s Overexposed: Treating Sexual Perversion in America (Pantheon Books, 1988).
Features
JOHN KELSEY
John Kelsey on Sylvère Lotringer
Toyen, Na zámku La Coste (At La Coste Castle), 1943, oil on canvas, 25 5⁄8 × 34 1⁄4". © Artists Rights Society (ARS), New York/ADAGP, Paris.
Features
MYTHIC BEING
Lucy Ives on the art of Toyen
Liz Larner, Bird in Space, 1989, nylon cord, silk, stainless-steel blocks. Installation view, Los Angeles Municipal Art Gallery, 1991.
Features
1000 WORDS: LIZ LARNER
Liz Larner talks about “Don’t put it back like it was”
Albrecht Dürer, Two Livonian Women, 1521, pen, ink, and watercolor on paper, 7 1⁄4 × 7 5⁄8".
Features
ONE PLACE AFTER ANOTHER
Christopher P. Heuer and Julien Nguyen on Albrecht Dürer
Albrecht Dürer, Hand with Book (study for Christ Among the Doctors), ca. 1506, watercolor and gouache on blue paper, 7 1⁄2 × 9 7⁄8".
Features
ONE PLACE AFTER ANOTHER
Christopher P. Heuer reflects on Albrecht Dürer’s revolutionary post-studio practice
Julien Nguyen, Vision of a Cloudburst, 2021–22, digital drawing.
Features
ONE PLACE AFTER ANOTHER
Julien Nguyen contributes a portfolio of new drawings
Iiu Susiraja, Broom, 2010, C-print, dimensions variable. From the series “Good Behavior,” 2008–10.
Features
OPENINGS: IIU SUSIRAJA
Alex Jovanovich on Iiu Susiraja
View of “Pierre Bismuth: Everybody is an artist but only the artist knows it,” 2021–22. Background: Works from the series “Variations on the Theme of Nations,” 2019 21. Foreground: Liquids and Gels, 2013/2021. Photo: Helene Mauri.
Paris
Pierre Bismuth
Molly Warnock on Pierre Bismuth
Centre Pompidou
David Medalla, Cloud Canyon, 2020–21, wood, acrylic. Installation view. Photo: Mareike Tocha. From the series “Cloud Canyons,” 1963–2021.
Bonn
David Medalla
Gregor Quack on David Medalla
Bonner Kunstverein
Iiu Susiraja, Lucia, 2010, C-print, dimensions variable. From the series “Good Behavior,” 2008–10.
Iiu Susiraja, Lucia, 2010, C-print, dimensions variable. From the series “Good Behavior,” 2008–10.
February 2022
VOL. 60, NO. 6
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