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Louise Fishman in her studio, New York, April 2016. Photo: Christian Hogstedt/Art Partner Licensing.
Passages
UNSTRAIGHT LINES
Louise Fishman (1939–2021)
View of Eugene Von Bruenchenhein works and partial home facsimile, Art Preserve of the John Michael Kohler Arts Center, Sheboygan, Wisconsin, 2021.
On Site
GRAND PROFUSION
Michael Ned Holte on the Art Preserve of the John Michael Kohler Arts Center
Yannis Tsarouchis, Two Cretans, 1933–34, pencil and sanguine on paper, 13 3⁄4 × 9 7⁄8".
On Site
LOVE IN THE AFTERNOON
James Rondeau on Yannis Tsarouchis
Box attributed to Jean Saint made for the Dutch West India Company in Africa, 1749.
On Site
BLOOD AND TREASURE
Pablo José Ramírez on the Rijksmuseum’s “Slavery” exhibition
Ericka Beckman, STALK (detail), 2021, still from the HD-video component (color, sound, 30 minutes) of a mixed-media performance additionally comprising a mechanical stage prop and live drummer.
Performance
TAKING STALK
Piper Marshall on Ericka Beckman
November 2021
Features
TAUBA MEDIUM
Caroline A. Jones on the art of Tauba Auerbach
Petrit Halilaj, The history of a hug, 2020, steel, fabric, feathers, leather, wood from Kosovo, silicone, paint, hair. Installation view, Palacio de Cristal, Parque de El Retir, Museo Nacional Centro de Arte Reina Sofía, Madrid. Photo: ImagenSubliminal (Miguel de Guzmán and Rocío Romero).
Features
FLIGHT FANTASIES
Mark Godfrey on the art of Petrit Halilaj
View of “Sarah Oppenheimer: Sensitive Machine,” 2021, Wellin Museum of Art at Hamilton College, Clinton, NY. Photo: John Bentham.
Features
1000 WORDS: SARAH OPPENHEIMER
Sarah Oppenheimer talks about “Sensitive Machine”
My Barbarian, Silver Minds, 2006. Rehearsal view, Black Dragon Canyon, Utah, March 19, 2006. From left: Alexandro Segade, Jade Gordon, and Malik Gaines.
Features
HAPPIER ENDINGS
Catherine Quan Damman on the art of My Barbarian
Michael Breslin and Patrick Foley, This American Wife, 2021. Rehearsal view, Great Neck, NY, May 19, 2021. Michael Breslin. Photo: Nina Goodheart.
Features
WOMEN AND FAGGOTS
Hari Nef on This American Wife
Person holding Meret Oppenheim’s 1936 Object, New York, 1936. Photo: John Lindsay/AP Photo.
Features
CLOSE-UP: WOMAN IS THE HOST
Lucy Ives on Meret Oppenheim’s Object, 1936
Kayode Ojo, Afterparty for Robert Bittenbender and Maggie Lee “Flowers in the Attic” at Bed Stuy Love Affair, The Cardinal, New York, NY, Valentine’s Day, 2015, Uniqlo (White), 2019, Uniqlo jeans, Jane Stone sexy gold-color tassel body-chain necklace fashion statement jewelry (Fn1095), Hamilton Stands KB400 classic American folding sheet-music stand (chrome), Glacier Bay beveled-edge bath mirror, dimensions variable.
Features
OPENINGS: KAYODE OJO
David Rimanelli on Kayode Ojo
My Barbarian, Silver Minds, 2006. Rehearsal view, Black Dragon Canyon, Utah, March 19, 2006. From left: Alexandro Segade, Jade Gordon, and Malik Gaines.
My Barbarian, Silver Minds, 2006. Rehearsal view, Black Dragon Canyon, Utah, March 19, 2006. From left: Alexandro Segade, Jade Gordon, and Malik Gaines.
November 2021
VOL. 60, NO. 3
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