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Christian Boltanski, Grand Palais des Champs-Élysées, Paris, 2010. Photo: Didier Plowy.
Daniel Birnbaum on Christian Boltanski
Kaari Upson, San Bernardino, CA, 2016. Photo: Michael Benevento.
Audrey Wollen on Kaari Upson
Neelon Crawford, Paths of Fire II, 1976, 16 mm, color, silent, 8 minutes.
J. Hoberman on Neelon Crawford
Joseph E. Yoakum, Prairie Mounds in Western Iowa on Chicago Milwauke and St Paul R.Y., n.d., ink, ballpoint pen, pencil, pastel, and watercolor on paper, 11 1⁄8 × 31 1⁄2".
Joe Bucciero on Joseph E. Yoakum
Francisco Goya y Lucientes, Milagro de San Antonio de Padua (Miracle of Saint Anthony of Padua), 1797, oil on canvas, 10 1⁄4 × 14 1⁄2".
Janis Tomlinson on “Goya” at the Fondation Beyeler
Still from Lana Del Rey’s 2021 video Chemtrails Over The Country Club, directed by Lana Del Rey.
Raque Ford shares her Top Ten
Todd Haynes.
Amy Taubin speaks with Todd Haynes about The Velvet Underground
October 2021
Suzanne Hudson on the art of Jay DeFeo
October 2021
Lloyd Wise introduces an artist portfolio by Diane Severin Nguyen
October 2021
Michael Dango on the art of Mona Hatoum
Joyce Kozloff installing Homage to Frank Furness, 1984, at the Amtrak train station, Wilmington, DE, 1984.
Lynne Cooke on the Pattern and Decoration movement
October 2021
Hal Foster on Ed Atkins’s The Worm, 2021
October 2021
Tim Griffin on the art of Robert Longo
Huguette Caland, Bribes de corps (Body Bits), 1973, oil on linen, 60 × 60". From the series “Bribes de corps” (Body Bits), 1973–81.
Colby Chamberlain on Huguette Caland
Joyce Kozloff, If I Were an Astronomer: Boston (detail), 2015, mixed media on canvas, 37 × 55".
Joyce Kozloff, If I Were an Astronomer: Boston (detail), 2015, mixed media on canvas, 37 × 55".
October 2021
VOL. 60, NO. 2
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