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James Bishop with his painting Hours, ca. 1963, American Center for Art & Culture, Paris, 1963.
Passages
JAMES BISHOP (1927–2021)
Molly Warnock on James Bishop
May 2021
On Site
ON THE WATERFRONT
Peter L’Official on David Hammons’s Day’s End
Catherine Opie, Saints, 1995, C-print, 60 × 40". From left: Divinity Fudge (Darryl Carlton), Ron Athey, Pigpen (Stosh Fila), Julian Carter.
On Site
GLORY IN OUR SUFFERINGS
Tavia Nyong’o and Coco Romack on Ron Athey at Participant Inc
Ulrike Ottinger, Paris Calligrammes, 2020, HD video, color and black-and-white, sound, 131 minutes.
Film
NO REGRETS
J. Hoberman on Ulrike Ottinger’s Paris Calligrammes
Chris Torres, Nyan Cat, 2011, GIF.
Slant
TOKEN GESTURE
Tina Rivers Ryan on NFTs
May 2021
Features
THE STRANGER
Colby Chamberlain on the art of Dave McKenzie
Niki de Saint Phalle, Jean Tinguely, and Per Olof Ultvedt, Hon&#—en katedral (She&#—a Cathedral), 1966, mixed media. Installation view, Moderna Museet, Stockholm. Photo: Hans Hammarskiöld. © Hans Hammarskiöld Heritage.
Features
SELF MADE
Johanna Fateman on the art of Niki de Saint Phalle
Chao-Chen Yang, Young Chinese Guerrilla, ca. 1943, chlorobromide print, 16 × 13". © Chao-chen Yang Estate.
Features
CLOSE-UP: FOR ASIAN LIVES TO MATTER
Joan Kee on Chao-Chen Yang’s Apprehension, ca. 1942
Dean Sameshima, Untitled (Blowjob), 2003, C-print, 12 1⁄4 × 9 5⁄8". From the series “Outlaw,” 2003.
Features
CLOSE-UP: INDIFFERENCE AND REPETITION
David Rimanelli on Dean Sameshima’s “Outlaw,” 2003
Luke Libera Moore, Uncertainty Model #1, 2021, digital photograph.
Features
PROJECT: LUKE LIBERA MOORE
Dawn Chan introduces an artist project by Luke Libera Moore
Whitney Claflin.
Features
OPENINGS: WHITNEY CLAFLIN
Domenick Ammirati on Whitney Claflin
Chao-Chen Yang, Apprehension (detail), ca. 1942, Fujiflex print, 16 × 12 1⁄2". © Chao-chen Yang Estate.
Chao-Chen Yang, Apprehension (detail), ca. 1942, Fujiflex print, 16 × 12 1⁄2". © Chao-chen Yang Estate.
May 2021
VOL. 59, NO. 7
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