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Joachim Olender, La collection qui n’existait pas (The Collection That Doesn’t Exist), 2014, HD video, color, sound, 93 minutes. Herman Daled.
Passages
Herman Daled (1930–2020)
Benjamin H. D. Buchloh on Herman Daled: Collector of Utopias (Works on Paper)
Shuzo Azuchi Gulliver, Cinematic Illumination, 1968–69, eighteen slide projections (1,350 black-and-white slides, sound, 114 minutes 45 seconds), 108 color gels, disco ball. Installation view, the Museum of Modern Art, New York, 2020. Photo: Robert Gerhardt.
On Site
Hippie Medium
J. Hoberman on Shuzo Azuchi Gulliver’s Cinematic Illumination
Charles Atlas, Because We Must, 1989, video, color, sound, 52 minutes 37 seconds. Foreground: Michael Clark. Background: Amanda King. Production still. Photo: Dee Conway/Bridgeman Images.
On Site
Celestial Body
Lizzie Homersham on Michael Clark
Lydia Ourahmane and Alex Ayed, Fox, Glass Eyes, Tara River Water, Boat Trailer, Pirlitor Stone, Wand, Sage, Stone, 5 Paintings on Canvas, 1.5L Adriatic Sea 1.5L Adriatic Sea, 1kg Honey (Crna Gora), Olive Oil, Double Bag, 250g Coffee x2, 100g Coffee, Salt, Sugar Cubes, Bubble Gum x2, Cigarettes (20 pack), Tinned Sardines, Vit C Juice Carton x3, Eurocrem, Fridge Magnet x2, Chicken Soup x2, Beef Soup x2 (detail), 2020, taxidermy fox, boat trailer, stones, water, wand, sage, five paintings on canvas, water bottles, coffee, juice cartons, plastic bags, cigarettes, fridge magnets, food items. Installation view, Wiels Contemporary Art Centre, Brussels. Photo: Philippe de Gobert.
On Site
Unsafe Space
Amanda Sarroff on “Risquons-Tout”
Caravaggio, The Inspiration of Saint Matthew, 1602, oil on canvas, 9' 8 1/2" x 6' 2 1/2".
Slant
Point of No Return
Alex Kitnick on the discontent with museums
Philip Guston, Sarasota, FL, 1967.
Features
Philip Guston
Five contributors consider Guston’s oeuvre
Philip Guston, If This Be Not I, 1945, oil on canvas, 42 1/4 × 55 1/4". © The Estate of Philip Guston.
Features
Now You See Me
Dan Nadel on Philip Guston’s Jewishness
Philip Guston, Untitled, 1964, oil on canvas, 66 × 76". © The Estate of Philip Guston.
Features
Untitled, 1964
Sarah K. Rich on Philip Guston’s Untitled, 1964
January/February 2021
Features
Ugly Feelings
Robert Slifkin on Philip Guston and white privilege
Philip Guston, City Limits, 1969, oil on canvas, 77 × 103 1/4". © The Estate of Philip Guston.
Features
City Limits, 1969
Chris Ofili on Philip Guston’s City Limits, 1969
January/February 2021
Features
Project: Trenton Doyle Hancock
Step and Screw: Stock Photo Exchange, 2020
Aaron Hicks, Visitation, 1998, lacquer and acrylic on canvas, 36 × 30".
Features
Image Conscious
Jasmine Sanders on the Black Romantic
Deborah Remington, Haddonfield, 1965, oil on canvas, 74 1⁄8 × 69". © Deborah Remington Charitable Trust for the Visual Arts/Licensed by VAGA at Artists Rights Society (ARS), New York.
Features
Hard Drives
Suzanne Hudson on the art of Deborah Remington
Nash Glynn, Self Portrait with One Foot Forward and One Hand Reaching Out, 2020, acrylic on canvas, 48 × 36".
Features
Openings: Nash Glynn
Hari Nef on the art of Nash Glynn
Lucas Samaras, Untitled, 2008–20, ink-jet print, 14 × 14". From the “GESTURES” series, 2008–20.
Lucas Samaras, Untitled, 2008–20, ink-jet print, 14 × 14". From the “GESTURES” series, 2008–20.
January/February 2021
VOL. 59, NO. 4
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