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David Velasco

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    David Young, Cloud Canyon (b65a,c4600,a-19,3,6,4,44,50), 2019, AI/machine learning–generated digital image.
    Features
    GETTING SMART
    hannah baer, Mario Carpo, and Zoë Hitzig reflect on the uses of AI
    East elevation drawing of the Doris Duke Theatre, Jacob’s Pillow, Becket, MA, ca. 1988–89.
    Features
    1000 WORDS: YVE LARIS COHEN
    Yve Laris Cohen talks About “Studio/Theater”
    View of Peggy Guggenheim’s collection, Greek pavilion, Venice, 1948. From the 24th Venice Biennale. Photo: Studio Ferruzzi.
    VENICE BIENNALE
    WHAT DREAMS MAY COME
    Cecilia Alemani talks with David Velasco about the 59th Venice Biennale
    Stan Douglas, London, 2011–08–09 (Pembury Estate), 2017, C-print on dibond, 59 × 118 1⁄8".
    VENICE BIENNALE
    STAN DOUGLAS
    Stan Douglas on his project for the Canadian Pavilion
    Nikita Kadan, work from the series “The Shadow on the Ground,” 2022, charcoal on paper, 11 3⁄4 × 15".
    Features
    PROJECT: NIKITA KADAN
    David Velasco introduces a project by Nikita Kadan
    Nan Goldin, Red sky from my window, 2000, ink-jet print, 31 3⁄4 × 46 7⁄8".
    Features
    EXCERPT: THE TRUTH ABOUT THE END OF THE WORLD
    Cookie Mueller’s “The Truth About the End of the World”
    Lorraine O’Grady, Announcement Card 1 (Banana-Palm with Lance), 2020, digital C-print, 50 × 33 3⁄8". From Announcement of a New Persona (Performances to Come!), 2020. © Lorraine O’Grady/Artists Rights Society (ARS), New York.
    Features
    1000 Words: Lorraine O’Grady
    Lorraine O’Grady talks about Announcement Of A New Persona (Performances To Come!)
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