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Natasha Degen

Contributor
    Natasha Degen is a professor and the chair of Art Market Studies at the Fashion Institute of Technology and author of Merchants of Style: Art and Fashion After Warhol (Reaktion Books, 2023).
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    R. H. Quaytman, Ark, Chapter 10 (still from A. Fraser "Untitled") #2, 2008-13, oil, silkscreen ink, gesso on wood 20 x 20".
    New York
    “The Contract”
    Essex Street
    Maxwell Graham | 55 Hester Street
    November 20, 2014 - January 25, 2015
    Olivia Plender, Open Forum, 2008, platform, screens, paintings, monitors, lamps, desk, table, fake plants, props, dimensions variable.
    Bristol
    Olivia Plender
    Arnolfini
    Arnolfini | 16 Narrow Quay
    July 14, 2012 - September 9, 2012
    Natascha Sadr Haghighian, De paso, 2011/2012, mixed media, dimensions variable. Installation view.
    London
    Natascha Sadr Haghighian
    Carroll / Fletcher
    Carroll / Fletcher
    July 20, 2012 - September 14, 2012
    Thomas Helbig, Eden, 2008–2009, mixed media, 20 7/8 x 11 13/16 x 13".
    London
    Thomas Helbig
    Vilma Gold
    March 22, 2009 - May 17, 2009
    Glenn Brown, The Loves of Shepherds (after 'Doublestar' by Tony Roberts), 2000, oil on canvas, 7' 2 3/8" x 11' 1/4".
    Various Locations
    Glenn Brown
    Various Venues
    By Natasha Degen
    Alexej Meschtschanow, Dämonen benutzen geschlossene Türen (Demons Use Closed Doors), 2007, steel and wood, 60 3/4 x 78 3/4 x 43 3/8”.
    London
    “Material Presence”
    176
    September 11, 2008 - December 14, 2008
    Charles Avery, Untitled (Feeding the Gulls), 2007, pencil and gouache on card, 25 1/2 x 35 1/2".
    London
    Charles Avery
    Parasol unit
    September 10, 2008 - November 8, 2008
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