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Albrecht Dürer, Philosophia, ca. 1502, woodcut on paper, 8 1⁄2 × 5 7⁄8"
Christopher S. Wood on Saturn and Melancholy
Cover of Fredy Perlman’s I Accuse This Liberal University of Terror and Violence (Black & Red, 1969).
Daniel Marcus on Danielle Aubert’s Detroit Printing Co-op
Look from Willi Smith for WilliWear Street Couture Fall 1983 collection. Photo: Max Vadukul.
Rachel Seville Tashjian on Willi Smith
View of “Ancient Nubia Now,” 2019–20, Museum of Fine Arts, Boston.
Nasser Rabbat on “Ancient Nubia Now”
Ofelia Gelvezon-Téqui, Predella, 1984, etching on paper, 12 5⁄8 × 9 5⁄8".
Chanon Kenji Praepipatmongkol on “Suddenly Turning Visible”
Moyra Davey, i confess, 2019, HD video, color, sound, 56 minutes 46 seconds.
Kaelen Wilson-Goldie on the films of Moyra Davey
April 2020
David Rimanelli on the art of Aubrey Beardsley
Dora Maar, Untitled (Strange fountain), ca. 1934, gelatin silver print, 8 5⁄8 x 6 1⁄4". © Artists Rights Society (ARS), New York/ADAGP, Paris.
Phil Taylor on Dora Maar’s Le simulateur, 1935
Jean Cocteau, Le sang d’un poète (The Blood of a Poet), 1930, 35 mm, black-and-white, sound, 50 minutes. Poet (Enrique Rivero).
J. HOBERMAN ON JEAN COCTEAU’S ORPHEUS
John Baldessari, This Is Not to Be Looked At, 1966–68, photographic emulsion and acrylic on canvas, 59 × 45".
John Baldessari, This Is Not to Be Looked At, 1966–68, photographic emulsion and acrylic on canvas, 59 × 45".
April 2020
VOL. 58, NO. 8
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