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Nicolas Moufarrege, Narcissix of One and Nick’s of the Other, 1983, thread, pigment, glitter, beads, minerals, and adhesive on needlepointed canvas, 18 × 84".
On Site
SPIDEY SENSES
Alexandro Segade on “Nicolas Moufarrege: Recognize My Sign”
James Ensor, Masks Confronting Death, 1888, oil on canvas, 32 × 39 1⁄2".
Features
THE KIDS ARE ALWAYS RIGHT
HELEN MOLESWORTH ON THE REINSTALLATION OF MOMA’S PERMANENT COLLECTION
View of “Henri Matisse,” 2019–, Museum of Modern Art, New York. From left: Henri Matisse, The Red Studio, 1911; Alma Thomas, Fiery Sunset, 1973. Photo: Jonathan Muzikar.
Features
CLOSE ENCOUNTERS
KERRY JAMES MARSHALL ON PABLO PICASSO, FAITH RINGGOLD, HENRI MATISSE, AND ALMA THOMAS AT MOMA
Margarete Schütte-Lihotzky, Frankfurt Kitchen from the Ginnheim-Höhenblick Housing Estate, Frankfurt am Main, Germany, 1926–27, mixed media, 8' 9" × 12' 10" × 6' 10". Photo, above: Heidi Bohnenkamp.
Features
SO DIFFERENT, SO APPEALING
JOHANNA FATEMAN ON MARGARETE SCHÜTTE-LIHOTZKY’S FRANKFURT KITCHEN
Arthur Jafa, APEX, 2013, HD video, color, sound, 8 minutes 22 seconds. Installation view, Museum of Modern Art, New York, 2019. Photo: Denis Doorly.
Features
THEY LOST IT AT THE MOVIES
AMY TAUBIN ON THE MOVING IMAGE AT MOMA
Jacques Tati, Playtime, 1967, 70 mm transferred to 4K video, color, sound, 124 minutes.
Features
THE HERE AND NOW
TIM GRIFFIN ON THE STUDIO AT THE MUSEUM OF MODERN ART
Wu Tsang, We hold where study, 2017, two-channel HD video, color, sound, 18 minutes 56 seconds. Installation view, Museum of Modern Art, New York, 2019. Photo: John Wronn.
Features
DANCE DANCE REVOLUTION
CATHERINE DAMMAN ON WU TSANG'S WE HOLD WHERE STUDY
Rachel Harrison, Untitled, 2012, colored pencil on paper, 19 × 24".
Features
SMART OBJECTS
HAL FOSTER ON THE ART OF RACHEL HARRISON
Lari Pittman, Untitled #30 (A Decorated Chronology of Insistence and Resignation), 1994, acrylic, enamel, and glitter on wood, two panels, overall 6' 11" × 13' 4".
Features
MUCH TOO MUCH
MICHAEL NED HOLTE ON THE ART OF LARI PITTMAN
Hana Miletić, Materials, 2019, handwoven raw wool and metal yarn, 9 × 7 1⁄2”. From the series “Materials,” 2015–.
Features
OPENINGS: HANA MILETIĆ
Kate Sutton on Hana Miletić
January 2020
January 2020
VOL. 58, NO. 5
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