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Still from Brett Story’s The Hottest August, 2019, HD video, color, sound, 95 minutes.
Film
HISTORICAL PRESENT
Erika Balsom on Brett Story’s The Hottest August
Still from Nature Theater of Oklahoma’s Die Kinder der Toten (The Children of the Dead), 2019, Super 8, color, sound, 90 minutes. Zombies (Eugen Gross, Naima Schmidt, Marina Rakic). Photo: Ulrich Seidl Filmproduktion.
Film
ZOMBIELAND
Jennifer Krasinski on Nature Theater of Oklahoma’s Die Kinder der Toten
Anicka Yi’s Biography fragrances, 2019. From left: Radical Hopelessness, Shigenobu Twilight, Beyond Skin.
FASHION
EAU DE NEW YORK
Natasha Stagg on Anicka Yi’s Biography
Marianne Brandt, Untitled (Airplane, Soldiers and Military Cemetery), ca. 1930, collage on cardboard, 25 5⁄8 × 19 3⁄4". © Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden.
Books
GHOSTS IN THE MACHINE
J. Hoberman on Elizabeth Otto’s Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics
Robert Williams, Death on the Boards, 1992, oil on canvas, 60 × 84".
Books
FAST COMPANY
Dan Nadel on Robert Williams: The Father of Exponential Imagination
Museum of Contemporary Art, Skopje, North Macedonia, ca. early 1970s.
On Site
CITY OF DREAMS
Kate Sutton on the reconstructions of Skopje
Derek Jarman, Fuck Me Blind, 1993, oil on canvas, 98 7⁄8 × 70 1⁄2". From the series “Evil Queen,” 1993.
Features
CLOSE-UP: NAKED EYE
Declan Long on Derek Jarman’s Fuck Me Blind, 1993
Kidlat Tahimik, Ang Ma-bagyong Sabungan ng 2 Bathala ng Hangin, A Stormy Clash Between 2 Goddesses of the Winds (WW III– the Protracted Kultur War), 2019, wood, C-prints, video projection (color, sound, 50 seconds), audio, mosaics, rattan core, figurines, ritual objects, bamboo loom, wrought-iron launchpads, fiberglass, fishing boats, sawdust, tree root, bamboo fences, fauna. Installation view, Al Mureijah Square, Sharjah. From Sharjah Biennial 14. Photo: Haupt & Binder/Universes in Universe.
Features
LIGHTNING STRIKES
Murtaza Vali on the art of Kidlat Tahimik
Georgia Sagri, Attempt. Come., 2016. Performance view, Parko Eleftherias, Athens, September 17, 2016. (Duration 24 hours.) Georgia Sagri. From Documenta 14. Photo: Stathis Mamalakis.
Features
CHAOS CÉLÈBRE
Domenick Ammirati on the art of Georgia Sagri
Ulla Wiggen, Simultantolkning (Simultaneous Interpretation), 1965, acrylic on wooden panel, 42 1⁄2 × 61".
Features
CLOSED CIRCUIT
Ina Blom on the art of Ulla Wiggen
Still from Matt Wolf’s Recorder: The Marion Stokes Project, 2019, HD video, color, sound, 87 minutes. Marion Stokes.
Features
1000 WORDS: MATT WOLF
MATT WOLF TALKS ABOUT RECORDER: THE MARION STOKES PROJECT
Pierre Bonnard, Baigneurs à la fin du jour (Bathers at the End of the Day), ca. 1945, oil on canvas, 19 1⁄8 × 27 1⁄2".
Features
ALL THAT HEAVEN ALLOWS
Bruce Hainley on "Pierre Bonnard: The Colour of Memory"
November 2019
November 2019
VOL. 58, NO. 3
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