Irene V. Small on Allora & Calzadilla’s Puerto Rican Light (Cueva Vientos), 2015
Ara Osterweil on ANDY WARHOL’S AND RAINER WERNER FASSBINDER’S QUEER HOME MOVIES
![View of “Mario Nigro,” 2017. On wall, from left: Dal tempo totale: traliccio a rombi progressivi in rosso (From Total Time, Lattice of Progressive Rhombi in Red), 1967; Dallo spazio totale 1954: serie di 12 rombi continui a progressioni ritmiche simultanee alternate opposte (From Total Space of 1954: Series of 12 Continuous Rhombi in Simultaneous Alternate Opposing Rhythmic Progressions), 1965. Floor: Dal tempo totale: passeggiata ritmica progressiva con variazione cromatica (il corso della vita: le stagioni) (From Total Time: Progressive Rhythmic Perspective Walk with Color Variations [Lifetime: Seasons]), 1967–68. Photo: Bruno Bani.](https://www.artforum.com/wp-content/uploads/2017/04/article_large-206.jpg?w=565&h=700&crop=1)
Cover: Allora & Calzadilla, Puerto Rican Light (Cueva Vientos), 2015, solar-powered batteries and charger, plywood crate, Dan Flavin’s Puerto Rican light (to Jeanie Blake) 2, 1965. Installation view, El Convento Natural Protected Area, Puerto Rico, 2015–17. Photo: Allora & Calzadilla.
May 2017
VOL. 55, NO. 9
