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FILM

Tsai Ming-liang, The Hole, 1998.
Film
Blame it on the Rain
On the hyperreal cinema of Tsai Ming-liang
By Matthew Wilder
Megalopolis.
Film
Yes We Cannes
Odes to cinema abound at the Seventy-Seventh Cannes Film Festival
By Jordan Cronk
Working Girl (1988)
Film
Uptown Guy
Re-viewing Mike Nichols at the Cinémathèque française
By Matthew Wilder
Jean-Pierre Melville, Le Samouraï, 1967, 35 mm transferred to 4K, color, sound, 105 minutes. Jef Costello (Alain Delon).
Film
Sympathy for the Assassin
Jean-Pierre Melville's Le Samouraï shines in new 4K cinematic release
By Hannah Bhuiya
Wojciech Jerzy Has
Film
Never-Ending Stories
Wojciech Jerzy Has’s deliciously twisted textualities
By Matthew Wilder
74th Berlinale.
Film
Getting Real
Nonfiction filmmaking at the 74th Berlin International Film Festival
By Travis Jeppesen
Berlinale sign.
Film
The Humbling
Small looms large at the 74th Berlin International Film Festival
By Travis Jeppesen
Harmony Korine, Aggro Dr1ft, 2023, color, sound, 80 minutes.
Film
Bro Vapid
Harmony Korine’s masculinity melodrama
By Bradford Nordeen
IFFR tiger logo, Central Station, Rotterdam, Netherlands, January 24, 2022.
Film
Fragments Shored Against Ruins
Notes on the 53rd International Film Festival Rotterdam
By Travis Jeppesen
About Dry Grasses
FILM
MEAN STREAK
Nuri Bilge Ceylan’s About Dry Grasses
Still from Emilio Fernández’s Victims of Sin.
FILM
NIGHT MOVES
The sordid grandeur of Emilio Fernández’s Victims of Sin
By J. Hoberman
A still from Ulises de la Orden’s El Juicio.
FILM
TRIAL AND TERROR
Bearing witness to Argentina’s Dirty War
By Leo Goldsmith
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