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Erika Balsom

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    Aria Dean, Abattoir, U.S.A.!, 2023, HD video, color, sound, 10 minutes 50 seconds. Installation view, Renaissance Society, Chicago. Photo: Robert Chase Heishman.
    Video
    THE COW QUESTION
    Erika Balsom on Aria Dean’s Abattoir, U.S.A.!
    Ruth Beckermann, MUTZENBACHER, 2022, 2K video, color, sound, 100 minutes.
    Film
    PLEASURES OF THE TEXT
    Erika Balsom on Ruth Beckermann’s MUTZENBACHER
    Shengze Zhu, A River Runs, Turns, Erases, Replaces, 2021, HD video, color, sound, 87 minutes.
    Film
    Urban Studies
    Erika Balsom on Shengze Zhu’s A River Runs, Turns, Erases, Replaces
    James Benning, PLACE (detail), 2020, still from the HD video component (color, sound, 84 minutes) of a mixed-media installation additionally comprising a letterpress book and seven paintings on plywood, canvas, and paper.
    Film
    The Lives of Others
    Erika Balsom on James Benning’s PLACE
    Ulrike Ottinger, Freak Orlando, 1981, 35 mm, color, sound, 126 minutes. From “Defiant Muses.”
    Film
    Erika Balsom
    Erika Balsom on the Best Films of 2020
    Still from Brett Story’s The Hottest August, 2019, HD video, color, sound, 95 minutes.
    Film
    HISTORICAL PRESENT
    Erika Balsom on Brett Story’s The Hottest August
    THE SCREEN AGE: VIDEO’S PAST AND FUTURE
    Features
    ABOVE THE FRAY
    ERIKA BALSOM ON RUGILlĖ BARZDŽIUKAITŽ, VAIVA GRAINYTĖ, AND LINA LAPELYTĖ’S SUN & SEA (MARINA) AT THE LITHUANIAN PAVILION, VENICE
    THE SCREEN AGE: VIDEO’S PAST AND FUTURE
    Film
    CROWD SOURCE
    Erika Balsom on Chris Kennedy’s Watching the Detectives
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