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November 2018
Architecture
FREE SPIRIT
Ian Volner on the Venice Architecture Biennale
November 2018
Film
DANCE DANCE DEVOLUTION
Melissa Anderson on Luca Guadagnino’s Suspiria
November 2018
Film
CROWD SOURCE
Erika Balsom on Chris Kennedy’s Watching the Detectives
November 2018
On Site
COLONY OF ERRORS
Ciarán Finlayson on Thomas Cole and Ed Ruscha
November 2018
TELEVISION
INFINITE VARIETY
Mychal Denzel Smith on Random Acts of Flyness
November 2018
Features
Gravity and Grace
Rachel Churner on the art of Maren Hassinger
November 2018
Features
Through The Past, Darkly
Ewa Lajer-Burcharth on the art of Eugène Delacroix
November 2018
Features
The Price of Intimacy
Diedrich Diederichsen on Hubert Fichte
November 2018
Features
CLOSE UP: KINETIC ELEGY
Catherine Damman on Chris Cochrane, Dennis Cooper, and Ishmael Houston-Jones’s Them, 1986
November 2018
Features
1000 WORDS: ROCHELLE FEINSTEIN
Rochelle Feinstein talks about her survey at the Bronx Museum of the Arts
Charles Gaines, untitled, 2018, digital stock photo montage, 10 × 10". Photos: viii/Adobe Stock and Alexander Glagolev/Adobe Stock. Special project for Artforum.
Features
REPAIR OR REVOLT? PROJECTS ON POLITICS
Charles Gaines, Sue Williams, Jim Shaw, and Ed Ruscha
November 2018
Features
CLOSE UP: STATIC SHOCK
Amy Taubin on Andy Warhol’s Jack Smith, 1964
November 2018
Features
Openings: Candice Lin
Michael Ned Holte on Candice Lin
Charles Gaines, untitled, 2018, digital stock photo montage, 10 × 10". Photos: viii/Adobe Stock and Alexander Glagolev/Adobe Stock. Special project for Artforum.
Charles Gaines, untitled, 2018, digital stock photo montage, 10 × 10". Photos: viii/Adobe Stock and Alexander Glagolev/Adobe Stock. Special project for Artforum.
November 2018
VOL. 57, NO. 3
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