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November 2017
Books
ON DEMAND
Alexander Nagel on Reclaiming Art/Reshaping Democracy
November 2017
Books
FREE ENTERPRISE
Thomas Elsaesser on Sven Lütticken’s Cultural Revolution
Lili Reynaud-Dewar, Small Tragic Comic Opera of Images and Bodies in the Museum, 2017. Performance view, Wiels Contemporary Art Centre, Brussels, May 5, 2017. Photo: Beniamin Boar.
CURATING
SOCIAL FORMATION
Peter Eleey on “The Absent Museum”
Spread from Slash 1, no. 4 (September 1977). The Sex Pistols, 1977.
Music
Slash: A Punk Magazine from Los Angeles, 1977–80
Greil Marcus on Slash: A Punk Magazine from Los Angeles, 1977–80
November 2017
TELEVISION
MEMENTO MORI
Dennis Lim on Twin Peaks: The Return
Michael Haneke, The Piano Teacher, 2001, 35 mm, color, sound, 130 minutes. Erika Kohut (Isabelle Huppert) and Walter Klemmer (Benoît Magimel).
Film
DESIRING MACHINE
Philippa Snow on Michael Haneke’s The Piano Teacher
Donna Deitch, Desert Hearts, 1985, 35 mm, color, sound, 91 minutes. Vivian Bell (Helen Shaver) and Cay Rivvers (Patricia Charbonneau).
Film
O Pioneers!
Jackie Neudorf on Donna Deitch’s Desert Hearts
November 2017
On Site
TAKING SHAPE
Ara H. Merjian on Magazzino Italian Art
The Jaackers performing at the FAFSWAG Body Vogue Ball, Family Downunder, Auckland, August 20, 2016. Photo: Jermaine Dean.
Performance
CURVE BALL
Anthony Byrt on FAFSWAG
HTC Vive virtual-reality headset, 2017.
Features
DEEP DIVE
Art and Virtual Reality
November 2017
Features
WILDEST DREAMS
DOUGLAS COUPLAND TALKS WITH DANIEL BIRNBAUM ABOUT ART AND VIRTUAL REALITY
Nonny de la Peña, Kiya, 2015, VR video, color, sound, 8 minutes.
Features
I FEEL YOU
Alyssa K. Loh on Virtual Reality and Empathy
Diller Scofidio + Renfro, Mural (detail), 2003, electric drill, metal track, electronic components, drywall, dimensions variable.
Features
MACHINE AGE
Elizabeth Diller Talks with Julian Rose about Museum Architecture
November 2017
Features
INDEPENDENT MEANS
Cheryl Finley on “SOUL OF A NATION: ART IN THE AGE OF BLACK POWER”
Cover: Elizabeth Catlett, Black Unity, 1968, mahogany, 20 1/4 × 22 1/2 × 12 1/2".
Cover: Elizabeth Catlett, Black Unity, 1968, mahogany, 20 1/4 × 22 1/2 × 12 1/2".
November 2017
VOL. 56, NO. 3
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