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ON THE OCCASION OF “Overshare,” Sophie Calle’s first retrospective in North America at the Walker Art Center in Minneapolis, Artforum asked Anne Carson to discuss a work from the French artist’s show. Her text, “COUNTERSLEEPFEIT,” was written in response to a project for which Calle invited twenty-seven people to sleep in her bed over the course of eight days. A selection of photographs documenting this event are reproduced here.

“Overshare” is on view through January 26.

Sophie Calle, The Sleepers (details), 1979, 176 framed gelatin silver prints with ink on paper, twenty-three framed texts, book, each framed print 6 1⁄4 × 8 1⁄4″. © Sophie Calle/Artists Rights Society (ARS), New York/ADAGP, Paris. 
Sophie Calle, The Sleepers (details), 1979, 176 framed gelatin silver prints with ink on paper, twenty-three framed texts, book, each framed print 6 1⁄4 × 8 1⁄4″. © Sophie Calle/Artists Rights Society (ARS), New York/ADAGP, Paris. 
Sophie Calle, The Sleepers, 1979, 176 framed gelatin silver prints with ink on paper, twenty-three framed texts, book. Installation view, Walker Art Center, Minneapolis, 2024. Photo: Kameron Herndon. © Sophie Calle/Artists Rights Society (ARS), New York/ADAGP, Paris. 
Close-Up: Anne Carson on Sophie Calle’s The Sleepers
Ritty Burchfield performance inside the Mirror Dome of the Pepsi-Cola Pavilion organized by Experiments in Art and Technology (E.A.T.) at Expo ’70, Osaka, Japan, 1970. Photo: János Kender and Harry Shunk. From “Sensing the Future: Experiments in Art and Technology (E.A.T.),” 2024–25, Getty Center, Los Angeles.
January 2025
VOL. 63, NO. 5
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