January 2014

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Noël Burch and Allan Sekula, The Forgotten Space, 2010, digital video, color and black-and-white, sound, 110 minutes. Photo: Doc Eye Films.

By Benjamin H. D. Buchloh

Jean-Luc Godard, À bout de souffle (Breathless) (detail), 1960. Patricia Franchini (Jean Seberg).

Jean-Luc Godard’s cinema of coming attractions

Still from Ernie Gehr’s Photographic Phantoms, 2013, digital video, color, sound, 27 minutes.

Ernie Gehr’s new work

Still from Robert Beavers’s Listening to the Space in My Room, 2013, 16 mm, color, sound, 19 minutes.

Robert Beavers’s Listening to the Space in My Room

By Rebekah Rutkoff

Ray Johnson, January/February, 1966, painted wood and paper on board, 30 x 30".

the Detroit Institute of Arts

Ernst Ludwig Kirchner, Coastal Landscape on Fehmarn, ca. 1913, oil on canvas, 35 1/2 x 47 1/2".

the Detroit Institute of Arts

Edgar Degas, Dancers in the Green Room, ca. 1879, oil on canvas, 16 1/4 x 34 1/2".

the Detroit Institute of Arts

By Philip Levine

January 2014

“A Queer History of Fashion”

By Julia Bryan-Wilson

William Kentridge, The Refusal of Time, 2012, five-channel video projection, sound, megaphones, mixed media. Installation view, Metropolitan Museum of Art, New York, 2013.

William Kentridge

By Joseph Leo Koerner, Margaret Koster Koerner

Snøhetta, James B. Hunt Jr. Library, 2013, North Carolina State University, Raleigh, NC. Photo: Jeff Goldberg.

Snøhetta’s James B. Hunt Jr. Library

By Philip Walsh

January 2014

By Bunny Rogers

Sigmar Polke, Untitled (detail), 1975, photographic emulsion, acrylic, and spray paint on canvas, 15 3/4 x 19 3/4". © The Estate of Sigmar Polke, Cologne/ARS, New York/VG Bild-Kunst, Bonn.

By Graham Bader

Paolo Veronese, The Family of Darius before Alexander, 1565–67, oil on canvas, 7' 7 3/4" x 15' 7".

By Benjamin Paul

Catherine Opie, Andy Warhol to Elizabeth (Self-Portrait Artist), 2010–11, ink-jet print.

STAR TURN: CATHERINE OPIE’S ELIZABETH TAYLOR PHOTOGRAPHS

By Richard Meyer

Still from Amie Siegel’s Provenance, 2013, HD video, color, sound, 40 minutes 30 seconds.

1000 WORDS: AMIE SIEGEL

By Mark Godfrey

Sarah Michelson, Shadowmann: Part II, 2003. Performance view, P.S.122, New York, April 2003. Sarah Michelson, Parker Lutz, Paige Martin. Photo: Dona McAdams.

I’LL BE YOUR MIRROR: THE WORK OF SARAH MICHELSON

By David Velasco

Thomas Eggerer, Rodeo, 2012, acrylic on canvas, 90 x 79".

TIME ZONES: THE RECENT WORK OF THOMAS EGGERER

By David Joselit

James Bishop, Other Colors, 1964, oil on canvas, 59 x 59".

FIELD AGENT: THE ART OF JAMES BISHOP

By Molly Warnock

Engraving of the Pavillon de la Ville de Paris, site of the Salon d’Hiver de la Société des Artistes Indépendants, December 1884–January 1885, avenue des Champs-Élysées, Paris.

WHY WAS MODERNISM BORN IN FRANCE?

Thierry de Duve on the collapse of the Beaux-Arts system

By Thierry de Duve

Elise Adibi, Abiogenesis, 2009, rabbit-skin glue, graphite, and oil on canvas, 72 x 72".

OPENINGS: ELISE ADIBI

By Suzanne Hudson

Pierre Huyghe, Untitled (Weather Score), 2002, mixed media. Installation view, 2013. © Pierre Huyghe/Artists Rights Society (ARS), New York/ADAGP, Paris.

Centre Pompidou

By Nicolas Bourriaud

Philippe Parreno

Palais de Tokyo

Phyllida Barlow, TIP, 2013, timber, steel, spray paint, paint, steel mesh, scrim, cement, fabric, varnish. Installation view.

the 2013 Carnegie International

Carnegie Museum of Art

By Sarah K. Rich

Reza Mafi, Untitled, 1973, oil on cardboard, 30 3/4 x 11".

“Iran Modern”

Asia Society and Museum

By Shiva Balaghi

“Sensitive Geometries: Brazil 1950s–1980s”

Hauser & Wirth | West 18th Street

By Irene V. Small

Paula Cooper Gallery | 534 West 21st Street

By David Frankel

Greene Naftali Gallery

Constantin Brancusi

Kasmin | 293 Tenth Avenue

By Robert Pincus-Witten

By Colby Chamberlain

Miguel Abreu Gallery | Orchard Street

By Barry Schwabsky

DC Moore Gallery

By Donald Kuspit

Massimo Grimaldi

Team Gallery | Grand Street

By Michael Wilson

By Lauren O’Neill-Butler

By Caroline Busta

Wynne Greenwood

View of “Haim Steinbach,” 2013.

Annandale-on-Hudson

Hessel Museum of Art, Bard College

By Michael Lobel

Chris Marker, Untitled #188, 2008–10, C-print, 13 1/4 x 16 1/2". From the series “Passengers,” 2008–10. MIT List Visual Arts Center.

MIT List Visual Arts Center/Carpenter Center for the Visual Arts

By William Kaizen

Beverly Fishman, Dividose M.B.V., 2013, triptych, enamel on polished stainless steel, overall 60 x 72". From the series, “Dividose,” 2002–.

Beverly Fishman

Eli and Edythe Broad Art Museum

By Nadja Rottner

Anne Wilson, Dispersions (no. 7) (detail), 2013, thread, hair, cloth, metal frame, 25 1/4 x 25 1/4 x 1 1/2". From the series “Dispersions,” 2013.

Rhona Hoffman Gallery

View of “Tobias Kaspar,” 2013. From left: Core Lux, 2013; Holiday, 2013; Stripped Bare (Exhibition Announcement), 2013.

Midway Contemporary Art

By Sam Pulitzer

Heimrad Bäcker, Remnants of Foundations in the Wiener Graben Quarry in Mauthausen, n.d., gelatin silver print, 3 1/2 x 10 1/2".

Heimrad Bäcker

Museum of Contemporary Art, Denver (MCA DENVER)

By Gregory Williams

Lesley Vance, Untitled, 2013, oil on linen, 21 x 26".

David Kordansky Gallery

By Suzanne Hudson

Night Gallery South

By Catherine Taft

Elizabeth Price, SUNLIGHT, 2013, two-channel digital-video projection, color, sound, 10 minutes.

Southend-on-Sea

Elizabeth Price

Focal Point Gallery

By Rachel Withers

Idris Khan, Beyond the Black (Wall Drawing), 2013, oil and gesso on wall, dimensions variable.

Victoria Miro Gallery | 16 Wharf Road

By Zehra Jumabhoy

Campoli Presti | London

Philomene Pirecki

Supplement | London

By Gilda Williams

By Stephanie Bailey

Jennifer Tee, Practical Magic, 2013, mixed media, dimensions variable. Installation view.

Project Arts Centre

Francis Baudevin, The House That Lazar Built, 2013, acrylic on canvas, 59 x 59".

Francis Baudevin

Galerie Art: Concept

By Riccardo Venturi

By Javier Hontoria

Sharon Hayes, Kate Millett, and the Women’s Liberation Cinema, Gay Power, 1971/2007/2012, 16 mm, color, sound, 33 minutes.

By Astrid Mania

Ari Benjamin Meyers

Esther Schipper

Than Hussein Clark

Mathew | Gallery | Berlin

By Eva Scharrer

View of “Jan De Cock,” 2013.

Otegem, Belgium

By Wouter Davidts

View of “Helen Mirra,” 2013. From left: Arizonan Sonoran Desert, January 6, 2012; Arizonan Sonoran Desert, January 9, 2012; Arizonan Sonoran Desert, January 10, 2012. From the series “Hourly Directional Field Notations,” 2011–.

Galleria Raffaella Cortese | Via Stradella 7

By Marco Tagliafierro

João Maria Gusmão and Pedro Paiva

By Pier Paolo Pancotto

Leonor Antunes, the thread is so tiny that the eye, though armed with a magnifying glass, suspects it, rather than sees it II, 2013, agba wood, nylon thread, dimensions variable. Installation view.

Kunsthalle Lissabon

By Filipa Oliveira

Grzegorz Kowalski, Calendar II, ca. 1970, collage, graphite pencil, ballpoint pen, india ink, tempera, and tape on paper and plastic sheet, 22 1/4 x 15".

Grzegorz Kowalski

Pola Magnetyczne

By Sylwia Serafinowicz

Basim Magdy, Expanding the Universe, 2008, acrylic, spray paint, and gouache on paper, 15 x 20".

By Noemi Smolik

Gal Weinstein, Fire Tire, 2010/2013, wax, natural and polyester wool, styrofoam, graphite, 14' 9" x 19' 8 1/4" x 9' 10". From the 4th Thessaloniki Biennale of Contemporary Art. Geni Tzami Mosque.

Thessaloniki, Greece

the 4th Thessaloniki Biennale

By Cathryn Drake

Gülsün Karamustafa, Körebe (Blind Man’s Bluff), 1974, acrylic on paper, 23 x 17 3/8". From the series “Prison Paintings,” 1972–78.

Gülsün Karamustafa

By Theodor Ringborg

View of “Etal Adnan,” 2013. Foreground: Untitled 1, 2013.

Sfeir-Semler Gallery | Beirut

By Kaelen Wilson-Goldie

Asim Waqif, Urban Ruin at Ashram Chowk #1, 2013, digital C-prints, ink-jet print, wood, MDF, aluminum, 48 x 84 x 6".

NATURE MORTE Dhan Mill

By Ryan Holmberg

Cover: Sarah Michelson, Daylight (for Minneapolis), 2005. Performance view, Walker Art Center, Minneapolis, September 15, 2005. Bethany DeLine. Photo: Gene Pittman. — Cover: Sarah Michelson, Daylight (for Minneapolis), 2005. Performance view, Walker Art Center, Minneapolis, September 15, 2005. Bethany DeLine. Photo: Gene Pittman.

January 2014

VOL. 52, NO. 5

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