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A person stands holding a glass of wine in a dimly lit living room with yellow curtains, candles, plants, and a seated person on a cushioned surface. Subtitles overlay with the words "I'm the lubricant of Dutch society."
FILM
Trouble Dutch
On Keeping It Real Art Critics
Gabriel Orozco, Mis manos son mi corazón (My Hands Are My Heart), 1991, diptych, two Cibachrome prints, each 9 1⁄8 × 12 1⁄4". A shirtless figure holds a clay object in both hands, first tightly clasped, then displayed openly, revealing its heart-like shape and textured surface.
Features
Gabriel Orozco
Sculpture between spectacle and use value
A collage of vintage and contemporary photos showing childbirth, pregnancy, and infant care, arranged on a wall with blue tape. Carmen Winant, My Birth (detail), 2018, 3,059 found paper and photographic prints, painter’s tape, dimensions variable.
Features
Contact Prints
On the art of Carmen Winant
Liliane Lijn, ABC Cone, 1965, Letraset on painted cork cone, motorized turntable, 16 × 9 1⁄2 × 9 1⁄2".
Features
Body Electric
On the art of Liliane Lijn
Esther Mahlangu, untitled, 2020, acrylic on canvas, 39 3⁄8 × 59".
Features
Our House
On Esther Mahlangu and Ndebele Art
Tejo Remy, Rag Chair, 1991, rags, metal strips, 39 3⁄8 × 23 5⁄8 × 23 5⁄8".
Features
Making Do
On the return of Adhocism
Xinyi Cheng, Losing Oneself, 2023, oil on linen, 23 5⁄8 × 36 1⁄4".
Features
Polarvortex
On Mi You’s Art in a Multipolar World
Jennie C. Jones, Ensemble, 2025, powder-coated aluminum, stainless steel strings, instrument pins, concrete cast travertine tiles. Installation view, Metropolitan Museum of Art, New York. Photo: Hyla Skopitz.
1000 WORDS
Jennie C. Jones
talks about Ensemble, 2025, her commission for the Roof Garden of the Metropolitan Museum of Art, New York
Summer 2025
Carmen Winant, The last safe abortion (detail), 2024, ink-jet prints, 10' 6" × 24' 6".
Summer 2025
VOL. 63, NO. 10
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