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Xinyi Cheng, Losing Oneself, 2023, oil on linen, 23 5⁄8 × 36 1⁄4".
On Mi You’s Art in a Multipolar World
Jennie C. Jones, Ensemble, 2025, powder-coated aluminum, stainless steel strings, instrument pins, concrete cast travertine tiles. Installation view, Metropolitan Museum of Art, New York. Photo: Hyla Skopitz.
talks about Ensemble, 2025, her commission for the Roof Garden of the Metropolitan Museum of Art, New York
Safdie Architects, United States Federal Courthouse, Springfield, MA, 2008
On architecture and the Trump administration
Dread Scott, All African People’s Community Passport. A hand holding an open passport on a blue cutting mat, showing personal details, QR code, and patterned green design on the opposite page.
On “Project a Black Planet: The Art and Culture of Panafrica” 
A modern gallery with a gray bench, vintage speakers on stands, a reel-to-reel tape recorder, framed artwork, and ceramics displayed on wooden flooring.
On the aural scenography of “Project a Black Planet: The Art and Culture of Panafrica”
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