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1000 WORDS

Jennie C. Jones, Ensemble, 2025, powder-coated aluminum, stainless steel strings, instrument pins, concrete cast travertine tiles. Installation view, Metropolitan Museum of Art, New York. Photo: Hyla Skopitz.
talks about Ensemble, 2025, her commission for the Roof Garden of the Metropolitan Museum of Art, New York
Black-and-white abstract, blurred portrait of Brandon López playing bass.
On improvisation as composition
A video game forest scene with scattered trees, sunlight beams, a glowing white deer near a stone structure, and a mix of grass and shadows on the ground.
On faith and technology
Gridded tree work by Charles Gaines.
On the conception and methodologies of “Numbers and Trees, The Tanzania Baobabs"
A large banner reading "I DON'T TRUST NOBODY BUT THE LAND" affixed to a red wooden building beside a street in a residential area, with trees and houses visible in the background under a cloudy sky.
On translating poetry into sculpture
Patterned background of repeating vertical lines resembling stemmed plants, interspersed with small red dots, displaying a transition from sparse to dense arrangement across the image.
In conversation about Hautāmiro, 2025, at the Dunedin Public Art Gallery, Aotearoa New Zealand 
Installation view of two side-by-side pyramids made of jarred chile paste.
Mines the alchemy of found objects in “No Patents on Ideas”
LaToya Ruby Frazier.
On her monument to the Community Health Workers of Baltimore
View of “Martha Jungwirth: Herz der Finsternis” (Heart of Darkness), 2024, Galleria di Palazzo Cini, Venice.
Talks about her painting process 
Jamian Juliano-Villani
The painter talks about her current show at Gagosian
East elevation drawing of the Doris Duke Theatre, Jacob’s Pillow, Becket, MA, ca. 1988–89.
Yve Laris Cohen talks About “Studio/Theater”
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