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FASHION

Lookbook page for Sophie Gontard’s 2024 “I find men’s clothing Funny” Institut Français de la Mode graduate collection. Photos: Sophie Gontard.

By Matthew Linde

Print December 2024

David Robbins

THE ART OF THE DEAL

On the rise of the artist agent

By Natasha Degen

Print November 2024

Look from Dries Van Noten’s Spring/Summer 2025 menswear collection, Rue des usines Babcock, Paris, June 22, 2024.

On Dries Van Noten

By Steve Pulimood

Print September 2024

View of “The New Village: Ten Years of New York Fashion,” 2024

A STITCH IN TIME

Downtown fashion’s past and present

By Ada O’Higgins

View of “Artist’s Choice: Grace Wales Bonner—Spirit Movers,” 2023–24

MOVEMENT STUDIES

Impressions of Grace Wales Bonner at MoMA

By Eric N. Mack

Print April 2024

Cinzia Ruggeri in her studio, Milan, 1982. Photo: Occhiomagico.

Emily LaBarge on Cinzia Ruggeri

By Emily LaBarge

Print October 2022

Elsa Schiaparelli, September 1, 1937. Photo: Horst P. Horst.

POETRY IN NOTIONS

Chloe Wyma on Elsa Schiaparelli

Print October 2022

Look from Willi Smith for WilliWear Street Couture Fall 1983 collection. Photo: Max Vadukul.

DESIGN WITHIN REACH

Rachel Seville Tashjian on Willi Smith

By Rachel Seville Tashjian

Print April 2020

Look from Adidas Originals × Jeremy Scott Fall/Winter 2013 collection. Installation view, University of Westminster, London, 2019.

THEY HIDE WITH THEIR BOOTS ON

By Rebecca Bell

Print January 2020

Anicka Yi’s Biography fragrances, 2019. From left: Radical Hopelessness, Shigenobu Twilight, Beyond Skin.

EAU DE NEW YORK

Natasha Stagg on Anicka Yi’s Biography

By Natasha Stagg

Print November 2019

Matthew Linde on the Best Fashion of 2024

“The Overworked Body”

By Tobias Madison

Print February 2018

Matthew Linde on the Best Fashion of 2024

the fall collections

By David Lieske

Most Read

Cover of American Pop Art: 106 Forms of Love and Despair (Moderna Museet, 1964).

Exterior view of the National Gallery of Art in Washington, DC.

DOGE, National Gallery of Art Representatives Meet to Discuss Museum’s Legal Status

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