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INTERVIEWS

Jennie C. Jones, Ensemble, 2025, powder-coated aluminum, stainless steel strings, instrument pins, concrete cast travertine tiles. Installation view, Metropolitan Museum of Art, New York. Photo: Hyla Skopitz.
1000 WORDS
Jennie C. Jones
talks about Ensemble, 2025, her commission for the Roof Garden of the Metropolitan Museum of Art, New York
Black-and-white abstract, blurred portrait of Brandon López playing bass.
1000 Words
Brandon López
On improvisation as composition
By Maegan Dolan
A video game forest scene with scattered trees, sunlight beams, a glowing white deer near a stone structure, and a mix of grass and shadows on the ground.
1000 Words
Auriea Harvey & Michaël Samyn
On faith and technology
By Alex Estorick
Gridded tree work by Charles Gaines.
1000 Words
Charles Gaines
On the conception and methodologies of “Numbers and Trees, The Tanzania Baobabs"
By Jacoba Urist
Installation view of two side-by-side pyramids made of jarred chile paste.
1000 Words
Pratchaya Phinthong
Mines the alchemy of found objects in “No Patents on Ideas”
By Hung Duong
LaToya Ruby Frazier.
1000 Words
LaToya Ruby Frazier
On her monument to the Community Health Workers of Baltimore
By Teri Henderson
Artist Hew Locke poses beside his sculptural installation, The Watchers.
1000 Words
Hew Locke
Excavates the museum's imperial roots in "what have we here?"
By Melissa Baksh
Performance view of Clotilde Jiménez's, The Grotto. An Opera In Two Acts.
1000 Words
Clotilde JimÉnez
On his fantastical tragedy The Grotto. An Opera in Two Acts
By Najha Zigbi-Johnson
Flyer for Patti Smith’s first poetry reading, opening for Gerard Malanga at the Poetry Project, New York, 1971.
1000 Words
Gerard Malanga
On cats, Proust, and the art of poetry
By Alex Jovanovich
Pinaree Sanpitak.
Interviews
Pinaree Sanpitak
Contemplates the body as an evolving landscape in "Fragile Narratives"
By Hung Duong
Garrett Bradley
Features
SEEDS OF CHANGE
A conversation with an anonymous adherent of Earthseed
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