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DESIGN

Tejo Remy, Rag Chair, 1991, rags, metal strips, 39 3⁄8 × 23 5⁄8 × 23 5⁄8".

On the return of Adhocism

By Glenn Adamson

Print Summer 2025

Christine Sun Kim and Thomas Mader, InEx, 2024, two-channel animated 4K video, color, sound, 6 minutes.

By Jerome Byron

Print December 2024

Fixer Upper, 2013–18, still from a TV show on HGTV. Season 1, episode 10, “Reaching for the Unreachable.”

The HGTV-ification of our spaces

Print October 2023

Ray Eames, study for “An Exhibition for Modern Living,” 1949, graphite, paper, and photocollage on paper, 8 1/4 × 11 3/4". © Eames Office, LLC.

“The World of Charles and Ray Eames”

By Alena J. Williams

Print February 2016

Ron Gilad, Platform + Border = Fruit Bowl (Part 1), 2000, wood, brass, 3 1/2 x 11 x 11".

By Steven Watson

Print April 2012

Reverse of fragment of silk damask weaving, Spain or Italy, ca. 1600, 20 7/8 x 20".

Collecting Textiles, Introduction by Lauren O’Neill-Butler

By Seth Siegelaub

Print March 2012

Margarete Schütte-Lihotzky, Frankfurt Kitchen from the Ginnheim-Höhenblick Housing Estate (reconstruction), 1926–27, Frankfurt, 8' 9" x 12' 10" x 6' 10".

kitchen design and “Counter Space”

By Sandy Isenstadt

Print January 2011

Dexter Sinister

By Anthony Huberman

Print April 2007

View of “Josef Hoffmann: Interiors, 1902–1913,” 2006, Neue Galerie, New York. Re-creation of Biach bedroom, 1904. Photo: John Gilliland.

By Josiah McElheny

Print February 2007

The Return of Adhocism

“The LP Show”

By Steve Lafreniere

Print Summer 2002

The Return of Adhocism

Print April 2001

The Return of Adhocism

By Daniel Birnbaum

Print January 2001

Most Read

Cover of American Pop Art: 106 Forms of Love and Despair (Moderna Museet, 1964).

Exterior view of the National Gallery of Art in Washington, DC.

DOGE, National Gallery of Art Representatives Meet to Discuss Museum’s Legal Status

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Samuel L. Jackson Didn't Understand Kendrick Lamar's Halftime Show Until Dress Rehearsal

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