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Benjamin H. D. Buchloh

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    Gabriel Orozco, Mis manos son mi corazón (My Hands Are My Heart), 1991, diptych, two Cibachrome prints, each 9 1⁄8 × 12 1⁄4". A shirtless figure holds a clay object in both hands, first tightly clasped, then displayed openly, revealing its heart-like shape and textured surface.
    Features
    Gabriel Orozco
    Sculpture between spectacle and use value
    Joachim Olender, La collection qui n’existait pas (The Collection That Doesn’t Exist), 2014, HD video, color, sound, 93 minutes. Herman Daled.
    Passages
    Herman Daled (1930–2020)
    Benjamin H. D. Buchloh on Herman Daled: Collector of Utopias (Works on Paper)
    Luciano Perna, April 22 2020 6:46 pm Schlumbergera, 2020, ink-jet print, 17 × 22".
    Features
    PANDEMIC FLOWERS
    Benjamin H. D. Buchloh on the art of Luciano Perna
    Pierre Huyghe, After ALife Ahead, 2017, concrete ice-rink floor, sand, clay, phreatic water, bacteria, algae, bees, chimera peacocks, aquarium, black switchable glass, textile cone, incubator, human cancer cells, genetic algorithm, augmented-reality program, automated ceiling structure, rain, ammoniac, logic game. Installation view. From Skulptur Projekte Münster. Photo: Ola Rindal.
    Features
    ROCK PAPER SCISSORS
    Benjamin H. D. Buchloh on some means and ends of sculpture at Venice, Münster, and Documenta
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